成都青堂酒店
空間設計以夢境的形式從成都文化中截取記憶點,將場所精神具體化,使住客直接感知成都安逸的生活情愫和民風特色,讓住客有難以割捨的歸屬感。

空間設計取自落日的色彩,用氣氛美學的方法營造場所氛圍。在設計時借助落日的氣氛,通過色彩營造一個感官場域。感受空間中傳遞出的細膩溫情的氛圍,引導情緒共鳴。
水影漫漫,崎嶇的岩壁、幽微的波光,令人不由自主為之吸引,踏著尋光覓影的步伐,逐漸遠離現實,只需伸手揭開水幕的神秘面紗,便可盡情徜徉於各色如夢似幻的奇想境地。
Since the advent of sound in cinema, the film score has become an integral part of the movie experience. The designers were inspired by the film music and also by the name of the shopping centre where this cinema is located that contains a Chinese character which means ‘piano’.
用一間社區專屬的民宿咖啡廳,以商業為手段、社會為依歸,創造多層次公私介面,歡迎更多的停留與探索,活化一條少數僅存卻沒落已久的臺式拱廊商街。
融在千島湖水岸,自然環境的最大化引入與人工痕跡的最大化退讓成為第一設計原則。作為城市喧囂環境的反面,我們認為本酒店空間最大的價值是幫助使用者得到內省式的自我回歸。
融於城市肌理,融入生活的底蘊。以恣意的生活態度,自由的情感承載,雅致的意境塑造,多元的體態表達。塑造出一個刻意打破乏味空間佈局的意境空間新秩序。
將泰國傳統農舍翻新為特色民宿,不刻意復刻傳統,而是保留原始鄉村建築之精髓,並運用部分原有構件組成新造型,滿足現代生活的機能需求,不僅節約成本,也讓傳統文化與工藝知識得以延續新生。
The resort is situated in a rural landscape of Ayutthaya, Thailand, surrounded by the river on two sides. The architectural design is a contemporary re-interpretation of the local rural landscape and intends to connect people to the life of the river and its atmosphere. The buildings and rooflines are scaled down to be in grain with the surrounding local houses. The materiality connects to the local materials and craftmanship. Yet the architecture is contemporary in its life and spatiality.